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Rachel Whiteread Heykelleri ve Mek
ISSN: 2687 - 5373
Publisher: author
Rachel Whiteread Heykelleri ve Mek
Indexed in
Arts and Architecture
ARTICLE-FACTOR
1.3
Article Basics Score: 3
Article Transparency Score: 2
Article Operation Score: 3
Article Articles Score: 3
Article Accessibility Score: 3
SUBMIT PAPER ASK QUESTION
International Category Code (ICC):
ICC-0302
Publisher: Nilay
International Journal Address (IAA):
IAA.ZONE/2687382775373
eISSN
:
2687 - 5373
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Abstract
Sculpture can be defined as a three-dimensional shaped object in space in the classical sense. Some concepts such as space, place, and fullness that have come to the fore with this definition have become important issues for artists especially after the 20th century. The use of void as a plastic element has been considered by modern artists such as Auguste Rodin, Henry Moore, Barbara Hepworth, and consciously used void as plastic value. However, the British artist Rachel Whiteread, born in 1963, approached the gap and fullness differently from other artists and made the spaces visible by filling the empty parts of the spaces and objects with materials such as plaster, polyester, resin. She created the negative-positive contrast by filling the empty spaces of the second-hand objects where there are memories in Daily life such as places where there are experiences in his sculptures, objects that people used before, stair intervals, bed ...
