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Ba Caravan-E Soukhteh: Death Of The Dramatic Signs On The Stage
ISSN: 2617 - 0299
Publisher: author
Ba Caravan-E Soukhteh: Death Of The Dramatic Signs On The Stage
Indexed in
Languages and Literatures
ARTICLE-FACTOR
1.3
Article Basics Score: 3
Article Transparency Score: 2
Article Operation Score: 3
Article Articles Score: 3
Article Accessibility Score: 2
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International Category Code (ICC):
ICC-0902
Publisher: International Journal Of Linguistics, Literature And Trans..
International Journal Address (IAA):
IAA.ZONE/261739810299
eISSN
:
2617 - 0299
VALID
ISSN Validator
Abstract
Reviewing intralingual and intersemiotic translation carried out onto the stage from the perspective of Peirce’s interpretive semiotics, in light of Roland Barthes’ The Death of the Author, introduced initially in 1967, the current paper explored death of the dramatic signs of the Persian drama textبا کاروان سوخته (پابرهنه، لخت، قلبی در آغوش)/Ba Caravan-e Soukhteh (Pa berahne, Lokht, Ghalbi dar Aghoush), a self-translation by Alireza Koushk Jalali (2009) through its performed drama titled با کاروان سوخته/Ba Caravan-e Soukhteh (2017) directed and played by Seyed Hamid Sajadi. Observing the performed drama, the key interrelated verbal and non-verbal signs which were highlighted throughout the drama text were kept in view to see whether and how these interdependent and cooperative signs were resurrected passing their path onto the stage. What achieved was that prior to multiple interpre...
