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Crossing the Divide between Christianity and Islam: Representations of Religious Conversion in Three Seventeenth-Centu...
ISSN: 2603 - 3283
Publisher: author
Crossing the Divide between Christianity and Islam: Representations of Religious Conversion in Three Seventeenth-Centu...
Indexed in
Languages and Literatures
ARTICLE-FACTOR
1.3
Article Basics Score: 2
Article Transparency Score: 2
Article Operation Score: 3
Article Articles Score: 2
Article Accessibility Score: 3
SUBMIT PAPER ASK QUESTION
International Category Code (ICC):
ICC-0902
Publisher: Vtu Review: Studies In The Humanities And Social Sciences ..
International Journal Address (IAA):
IAA.ZONE/260369253283
eISSN
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2603 - 3283
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Abstract
This article focuses on three English plays, The Renegado, or the Gentleman of Venice (1624) by Philip Massinger, The Tragedy of Mustapha, Son of Solyman the Magnificent (1665) by Roger Boyle, Earl of Orrery, and The Siege of Constantinople (1675) by Henry Neville Payne, which were written at a time when the illdefined entity generally known as “the West†today was not in the ascendant and apprehensions of the expansionist Ottoman Empire and its dependencies in North Africa played an important role in European social and political life. The plays are approached from a historicist perspective as attention focuses on anxieties aroused by the early modern European perception of Islam as an alien religion that nevertheless attracted Christians and incited them to convert. Representations of religious conversion are also analysed in terms of gender differences. In addition, each of the plays is read as a response to a particular set of...
